mnemon: (greek, 'nE-"män), a theoretical, fundamental unit of memory.
lethe: (greek, λήθε; lē'thē) one of the rivers of the underworld in greek mythology. the drinking of it's waters by the departed erases all memory of their past life; forgetfulness, oblivion.
"She embraces me elaborately, ...casually as a breeze, softly as one caresses a flower; she kisses me as dispassionately as heaven kisses the sea, softly and quietly as dew kisses a flower, solemnly as the sea kisses the image of the moon."
"There is a crack, a crack in everything. That's how the light gets in." - Leonard Cohen
The only reason I have been able to continue to believe in god, is that when life is at it's worst I look over and see him hanging next to me.
Thursday, January 12, 2012
After visiting a beloved friend who has been in my life for some 25 years, I find myself, on my return, longing again for her company. Four leisurely days of lingering over coffee and knitting in front of a roaring New England fire had left me accustomed to her quiet presence. One recent morning, I woke to find this message from her waiting for me...
"This morning I am reading Rilke's writings on Rodin, who he met and befriended. Every word is worth copying out to you for its beauty, sensitivity, elegance, truth and beautiful detail. I'll have to get you the book, or share mine.
Here is what touched me particularly this morning. On Rodin's hands:
"We remember how small human hands are, how quickly they tire and how little time is given to them to create. We long to see these hands, which have lived the life of hundreds of hands, of a nation of hands that rose before dawn to brave the long path of this work."
(And here, "things" refers to his sculptures):
"And the forms in Rodin's work are pure and intact; without questioning, he transferred them to his things, which look as if they have never been touched when he finishes with them. Light and shadow grow soft around them as they do around very fresh fruit, and more alive with movement, as of the morning wind had brought them."
In Rodin's words: "And this is because I devoted myself seriously to something. He who understands one thing understands everything, for the same laws are in all."
The quote by Rodin brought to mind something profoundly beautiful by an author whom I love most dearly. The following passage is from the short, perfect little jewel of a book by George MacDonald, The Golden Key. In it, one of the protagonists finds herself deep within the earth after a difficult and arduous journey:
"At the long last, the stair ended at a rude archway in an all but glowing rock. Through this archway Tangle fell exhausted into a cool mossy cave. The floor and walls were covered with moss--green, soft, and damp. A little stream spouted from a rent in the rock and fell into a basin of moss. She plunged her face into it and drank. Then she lifted her head and looked around. Then she rose and looked again. She saw no one in the cave. But the moment she stood upright she had a marvelous sense that she was in the secret of the earth and all its ways. Everything she had seen, or learned from books; all that her grandmother had said or sung to her; all the talk of the beasts, birds, and fishes; all that had happened to her on her journey with Mossy, and since then in the heart of the earth with the Old man and the Older man--all was plain: she understood it all, and saw that everything meant the same thing, though she could not have put it into words again."
Don't matter if the road is long Don't matter if it's steep Don't matter if the moon is gone And the darkness is complete Don't matter if we lose our way It's written that we'll meet At least, that's what I heard you say A thousand kisses deep
I loved you when you opened
Like a lily to the heat
You see, I'm just another snowman
Standing in the rain and sleet
Who loved you with his frozen love
His second hand physique
With all he is and all he was A thousand kisses deep...
"It is my last wish that you burn the three hundred sixty-five letters, one by one by one. Do not fear that you are burning my heart down. When I first wrote the letters, I believed they would be what remained of me after death. Now I see that what will survive of me is not my letters to you; what will survive of me is my love for you. What matters is not what is written on the page. What matters is what is written on the heart.
So burn the letters and lay their ashes on the snow at the river's edge. When spring comes and the snow melts and the river rises, return to the banks of the river and reread my letters with eyes closed; let the words and the images wash over your body like waves. Reread the letters with your hand cupped over your ear; listen to the songs of Eden. Page after page after page, fly the bird path. And maybe, maybe, you will feel something like my love for you."
A profoundly beautiful talk on the nature of human connection. The first third is a little slow til she gets deeply into her subject, but it is well worth watching the whole thing.
"Brene Brown studies vulnerability, courage, authenticity, and shame."
"To let ourselves be seen. To love with our whole hearts, even though there is no guarantee."
"What is it about her that I find so compelling? When she is truly open to me (rare, these days), I feel like I am holding a small, fragile bird in my cupped hands, it's heart fluttering frantically. But it does not fly away. It is that moment of wonder that I live for."
"In the beginning of time, the skies were filled with flying elephants.
Every night they lay down in the same place in the sky,
And dreamt with one eye open.
When you gaze up at the stars at night, you are looking into the unblinking
eyes of elephants, who sleep with one eye open,
To best keep watch over us..."
"...and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.”