mnemon: (greek, 'nE-"män), a theoretical, fundamental unit of memory.
lethe: (greek, λήθε; lē'thē) one of the rivers of the underworld in greek mythology. the drinking of it's waters by the departed erases all memory of their past life; forgetfulness, oblivion.
Don't matter if the road is long Don't matter if it's steep Don't matter if the moon is gone And the darkness is complete Don't matter if we lose our way It's written that we'll meet At least, that's what I heard you say A thousand kisses deep
I loved you when you opened
Like a lily to the heat
You see, I'm just another snowman
Standing in the rain and sleet
Who loved you with his frozen love
His second hand physique
With all he is and all he was A thousand kisses deep...
"It is my last wish that you burn the three hundred sixty-five letters, one by one by one. Do not fear that you are burning my heart down. When I first wrote the letters, I believed they would be what remained of me after death. Now I see that what will survive of me is not my letters to you; what will survive of me is my love for you. What matters is not what is written on the page. What matters is what is written on the heart.
So burn the letters and lay their ashes on the snow at the river's edge. When spring comes and the snow melts and the river rises, return to the banks of the river and reread my letters with eyes closed; let the words and the images wash over your body like waves. Reread the letters with your hand cupped over your ear; listen to the songs of Eden. Page after page after page, fly the bird path. And maybe, maybe, you will feel something like my love for you."
A profoundly beautiful talk on the nature of human connection. The first third is a little slow til she gets deeply into her subject, but it is well worth watching the whole thing.
"Brene Brown studies vulnerability, courage, authenticity, and shame."
"To let ourselves be seen. To love with our whole hearts, even though there is no guarantee."
"What is it about her that I find so compelling? When she is truly open to me (rare, these days), I feel like I am holding a small, fragile bird in my cupped hands, it's heart fluttering frantically. But it does not fly away. It is that moment of wonder that I live for."
"In the beginning of time, the skies were filled with flying elephants.
Every night they lay down in the same place in the sky,
And dreamt with one eye open.
When you gaze up at the stars at night, you are looking into the unblinking
eyes of elephants, who sleep with one eye open,
To best keep watch over us..."
"...and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.”
Or perhaps our writhing bodies,
entangled on the sand,
will write our love in a calligraphy that only the sea is wise and immense enough to read
and understand.
"Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires."
It so happens I am sick of being a man. And it happens that I walk into tailor shops and movie houses withered, impenetrable, like a swan made of felt navigating my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man.
Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold.
I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day.
I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief.
That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night.
And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoe shops that smell like vinegar, and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords.
I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling. -Pablo Neruda, Walking Around